An anniversary to 100 years of dream analysis by Sigmund Freud. A dream juxtaposed by its image. The relationship between rational emotion and emotional mathematics: chrestomathy as useful learning. The theme is suspended in the air – to arrive at the pivot point in repetition of the so called arbitrary output (Flash Back). Spelling out and abstracting the sacred. 

 

Dance as a language behind language.

(Eikon I – WUK, Vienna, February 2000)
(Eikon II – “Completed – Incomplete”; French Nights during the Paul Cézanne exhibition, Kunstforum Bank Austria, April 2000)
(Eikon IIa – Art in Motion, ORF Burgenland, broadcasting station, Eisenstadt, October 2000)

Concept/Choreography: Sebastian Prantl
Music Concept/Piano: Cecilia Li – compositions by John Cage
Musician: Igor Pomykalo (violin)
Dancers: Gro Benedikte Eknes, Denise Gospodarek, Othello Johns, Michikazu Matsune, Hana Pauknerová, Michaela Pein, Sebastian Prantl, Ingrid Reisetbauer, Daniela Weber, Paul Wenninger
Video: Gabriella Cardazzo, Duncan Ward
Stage set: Mario Bräuer
Costumes: Susanne Schintler
Light: Martin Walitza

(Eikon III – Festspielhaus, St. Pölten, October 2000)
(Eikon IV – Odeon Theatre Vienna, March 2001)

Concept/Choreography: Sebastian Prantl
Music Concept/Piano: Cecilia Li – compositions by John Cage
Violoncello: Melissa Coleman
Dancers: Gro Benedikte Eknes, Jozef Frucek, Andrea Jankovská, Othello Johns, Michikazu Matsune, Tomoko Nishino, Hana Pauknerová, Michaela Pein, Sebastian Prantl, Doris Reisinger
Costumes: Susanne Schintler
Light: Martin Walitza